While most DSLRs can capture full 1080p video only at up to 30 frames per sec, the RX100, due to its adherence to the new AVCHD version 2 spec, captures 1080p video at up to 60 fps.

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Over the Past few years, we have seen a parade of compact cameras with what we have been calling large sensors. But “large” is relative, and what’s more important than physical size is what you do with that surface area.

The newly developed 1-inch sensor in Sony’s pocket-sized Cyber-shot DSC-RX100 ($648, street) measures precisely 13.2×8.8mm. To put this in perspective, it has about 2.7 times the surface area of the 1/1.7-inch sensor in Canon’s slim PowerShot S100. Confused? Sensor nomenclature is tricky: The designations “1-inch” and “1/1.7-inch” correlate to the vacuum tubes once used in video cameras long ago.

That is, indeed, large for a compact. However, you’d have to multiply the surface area of the RX100’s sensor by about 1.9 to match the sensor in a Micro Four Thirds body, or by 2.4 to catch up to the sensor in Canon’s larger-bodied PowerShot G1 X, or by 2.8 to get to the APS-C sensors in Sigma’s DP Merrill line of pocket compacts. And, of course, a full-frame sensor dwarfs this Sony’s, with 7.4 times the surface area.

Still, Sony packed 20.2 mega-pixels into its 1-incher. To deliver plenty of light to it, the camera sports a Carl Zeiss-branded zoom lens with a relatively fast maximum aperture range, f/1.8–4.9, and coverage equivalent to a 28–100mm full-frame lens.

A control ring around the barrel of the pancake lens works in tandem with the click-wheel on the back, lending a traditional feel to shooting in manual mode. It also provides flexibility in controlling other camera settings when shooting in other modes.

Does all this pay off? Read on.

In the Test Lab
The RX100’s imaging ends up close to what you’d expect from an advanced compact. It managed to score an Extremely High rating in overall image quality at its lowest sensitivity of ISO 80. But for the majority of its sensitivity scale, it ends up with a Very High rating as resolution fell below our cutoff of 2250 lines. At ISO 400, resolution had dropped to 2170 lines; at its worst, at ISO 6400, it turned in 1930.

This places the Sony ahead of Canon’s 12.1MP S100 slim compact, which resolved 2100 lines at ISO 80 and fell to 1300 lines at ISO 6400. But it also made us wonder why Sony didn’t opt to keep the pixel count lower—say 16MP—to keep noise down.

Indeed, the RX100 produces noisier images at ISO 80 than the S100 does at ISO 400, and the Sony held noise to Low or better ratings only up to ISO 200. By ISO 800, noise was high enough to earn an Unacceptable rating and remained so up to the camera’s top sensitivity of ISO 6400.

Some context: Noise becomes less noticable as image size decreases. For example, the candid portrait shown in the LCD to the right was shot at ISO 800. In a print this small, you’ll have to strain to see the noise. But it’s there, and in a bigger print, the noise would become distracting.

In our color accuracy test, the RX100 easily earned an Excellent score. It turned in an average Delta E of 6.6,­ well below our cutoff of 8 for top honors in this lower-is-better test.

In the Field
The RX100’s body has a solid feel and compares well with cameras in this class. We wish it had some sort of grip, but we also know that the designers probably felt that any protrusion on the front would take away from the body’s clean, attractive look. We tend to let practicality trump style, but also recognize that people looking for a compact camera like this might not.

The controls benefit from the ring around the lens. In manual or aperture-priority mode, this sets aperture for a classic feel, albeit without click-stops. Press the function button on the back, and the ring can now be used to adjust several settings that you can customize in the menus.

Just about the only control on the RX100 that screams compact is the zoom rocker. Like any such zoom control, this is less precise than a mechanical zoom ring. As a result, we found ourselves either tinkering endlessly or resolving to crop our images slightly after the shoot.

The autofocus is on par with the best compact cameras and some ILCs—enough for any casual shooting. While we wouldn’t count on the RX100’s ability to track fast-moving sports, we also wouldn’t expect a professional sports shooter to pick this camera up for work.

The top burst speed is 10 frames per second at full resolution, but that’s without continuous AF and with metering locked after the first exposure. With continuous metering and AF, bursts slow quite a bit. Still, it’s nice to have the option for faster bursts in some situations.

Video, is also on par with what you’ll get from high-end compacts. The RX100 can shoot video at up to 1920x1080p60, and footage from the camera looks very nice. But, even with an f/1.8 lens, which will isolate a subject well, you can’t expect as much versatility with this little compact as you can with a Micro Four Thirds or APS-C-based ILC or DSLR, let alone a full-frame DSLR. What you can expect is fine footage of casual get-togethers or simple projects, such as interviewing friends and family.

Like many Sony cameras, the RX100 includes Sweep Panorama, a mode in which the camera captures many shots in a burst and then stitches slivers of those images together to create a panorama. Another version of this process will create 3-D panoramas that you can play back on any 3-D TV using a cable connected to the mini-HDMI terminal.

Similarly, the Handheld Twilight scene mode captures multiple images and combines them automatically to minimize noise. The camera will also combine three images to create HDRs quick and easy. You have finer control over HDR with software, but you can still select from six levels of intensity for the HDR effect in the RX100. We were able to get realistic-looking results more often when we selected the intensity of the effect manually.

The Bottom Line
Sony’s Cyber-shot RX100 is a worthy entry in the field of high-end compacts. Even though we feel that the camera’s performance might have been better served keeping the pixel count down, we ended up with some great images.

Moreover, the experience of shooting with this camera is a pleasant one. The control ring on the lens serves its purpose well, and, if you would rather use a ring for manual focusing, you can change its function to suit your needs.

While we often shrug off a lot of the scene modes and digital filters found in compacts, we appreciate some of Sony’s innovative modes, notably Handheld Twilight and Sweep Panorama. And if you’re still learning about photography, you’ll appreciate the RX100’s camera-guide function, which explains various menu items and invites further exploration. If you’re an advanced shooter, you can customize the RX100 extensively.

In the end, though, the Sony RX100 makes the most sense for reasonably knowledgeable, casual shooters looking for a nice, pocketable camera.

IMAGING: 20.2MP effective, 1-inch (13.2×8.8mm) CMOS sensor captures images at 5472×3080 pixels with 12 bits/color in RAW mode.
STORAGE: Memory Stick Duo, PRO Duo, SD, and SDXC store JPEG, ARW RAW, and RAW + JPEG files.
BURST RATE: Full-sized JPEGs (Fine mode), up to memory card capacity at 2.5 fps (with continuous AF and metering enabled).
AF SYSTEM: TTL contrast detection with 25-point autoselect or 187selectable spot areas; single-shot and continuous AF with focus tracking and face detection.
SHUTTER SPEEDS: 1/2000 to 30 sec, plus B (1/3-EV increments).
METERING: TTL metering with multi-segment (evaluative), centerweighted, and spot (size of spot unspecified).
ISO RANGE: 100–6400 in 1-EV increments, plus ISO 80 and 125.
VIDEO:Records at 1920×1080 pixel resolution at 60 fps in AVCHD Version 2.0 (at 28, 24, or 17Mbps); 1440×1080 at 30 fps in MPEG-4; built-in stereo microphone; no microphone input.
FLASH: Built-in pop-up with autoflash covers approx. 1–56 feet with lens zoomed out to its widest; 1.8–21 feet with lens zoomed to telephoto; auto ISO.
LENS: 28–100mm (35mm equivalent) f/1.8–4.9 Carl Zeiss Vario-Sonnar T* zoom lens with SteadyShot optical image stabilization.
LCD: 3-in. TFT with 1.229-million-dot resolution; five-step brightness adjustment.
OUTPUT: USB 3.0, mini HDMI video (type C), composite video, and analog audio.
BATTERY: Rechargeable NP-BX1 Li-ion, CIPA rating 330 shots.
SIZE/WEIGHT: 4.0×2.4×1.4 in., 0.5 lb with a card and battery.
INFO: www.sonystyle.com

We took Sony’s new large-sensor compact, the RX100, out for a spin around the Big City and found its prospects of being a strong competitor in the pocketable “street machine” category quite promising. The one-inch 20.2MP sensor is obviously this little camera’s biggest selling point, but one shouldn’t gloss over the full-time manual controls, which we found to be both intuitive and snappy to click through, especially on the fly. At its widest, the RX100 is an equivalent of 28mm, perfect for shooting from the hip. There are a solid handful of images in this gallery shot in such a way. All of the photos that follow are completely unprocessed, other than a conversion to sRGB. Tech Specs: ISO 6400, 1/30 sec, f/10 (camera was balanced on a table).
Focal Length: 48mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Despite mixed indoor lighting, the RX100 was able to keep the color tempurature in check on Auto White Balance mode. Tech Specs: ISO 1600, 1/100 sec, f/1.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
This image was shot in bright mid-day sun on Aperture Priority mode. The RX100 seemed to do a good job exposing for both the highlights and shadows in the frame. Tech Specs: ISO 400, 1/2000 sec, f/1.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
We’re were impressed with both the close-focus capabilities of the RX100, as well as its shallow depth of field at f/1.8. Tech Specs: ISO 3200, 1/320 sec, f/1.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
The RX100 seemed to hold its own at ISO 3200 in this mixed lighting situation Tech Specs: ISO 3200, 1/2000 sec, f/2.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Things certainly start to look a bit wonky on the left side of this image at the RX100’s highest native ISO of 6400. Tech Specs: ISO 6400, 1/1250 sec, f/4.9
Focal Length: 100mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
I ended up shooting this image in Manual mode because in Aperture Priority mode this scene kept fooling the RX100 into underexposing. Tech Specs: ISO 6400, 1/400 sec, f/6.3
Focal Length: 70mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Another high ISO, low-light image. Again the left side of the photo looks a bit wonky, especially viewed at 100%. Tech Specs: ISO 6400, 1/60 sec, f/2.5
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Tech Specs: ISO 100, 1/500 sec, f/2.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Street photographers take note: The 28mm equivalent lens and small profile of this camera make it great for shooting from the hip. Tech Specs: ISO 1600, 1/320 sec, f/5.6
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Tech Specs: ISO 1600, 1/200 sec, f/5.6
Focal Length: 58mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
While this image is a bit dark, especially in the construction worker’s face, RAW capture on the RX100 means that the shadow detail is retained. Tech Specs: ISO 1600, 1/2000 sec, f/4
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Tech Specs: ISO 1600, 1/800 sec, f/4
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Tech Specs: ISO 800, 1/250 sec, f/2.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Another mixed-light photo. Again the colors look spot on. Tech Specs: ISO 1600, 1/400 sec, f/1.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
The following three images are meant to display the full zoom range of the RX100. Tech Specs: ISO 125, 1/2000 sec, f/2.8
Focal Length: 28mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Tech Specs: ISO 125, 1/2000 sec, f/3.2
Focal Length: 50mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia
Even with its zoomed maxed out to a 100mm equivalent, the RX100 still sports a maximum aperture of f/4.9 and f/2.8 at 50mm. Tech Specs: ISO 125, 1/1000 sec, f/4.9
Focal Length: 100mm equivalent
(CLICK FOR FULL-RES) Dan Bracaglia