It’s really clear the basement is dark, as you move though from that level to the next it’s a little more subtle. The attic—I wouldn’t say it’s lighter. It’s trying to deal with the theory of the sky, the birds, with the heavens—but in a very complicated way. It’s not necessarily all about finding nirvana. The last picture is a broken window—the heavens aren’t necessarily a place of milk and honey. That’s the way we’ve been taught, but the heavens also have mystery to them. I think we have a very simplistic concept of the heavens. It’s certainly not something we can objectify, but we can reinterpret it.