Exhibitions photo
Female Real Actions Pantsula Members © Chris Saunders
From: The Yellow T-Shirt, Her Favorite © Owise Abuzaid
Décharge de Mbeubeuss, Keur Massar 2013 © Fabrice Monteiro
From: (Re-)Mixing Hollywood, “American Beauty,” Abidjan, 2013 © Omar Victor Diop and Antoine Tempé
The Ghetto, Tarot, IX of Cups © Alice Smeets
From: Nigerian Identity, Ese © Ima Mfon
From: Sartist Sports © Andile Buka
Waiting for Spring © Daniel Donnelly
From: Another, Avant Garde © Kadara Enyeasi
From: Passport Paris and West Africa, Portrait of Sister Catherine Dacko, a member of the religious congregation of girls of Immaculate Heart of Mary © Émilie Régnier
From: Wotsit All About © James Ostrer
From: The Suparweles © Patrick Willocq
From: Unomgcana © Nobukho Nqaba
The Black Taille Fine © Joana Choumali
From: The Struggle for Freedom in_________ © Mac Pinckers and Michiel Burger
From: Infrared Fashion © Mehdi Sefrioui
From: My Lagos, Almaz © Robin Hammond
From: Zulu Kids (Inyakanaka) © Namsa Leuba
From: Le Survivant © Patrick Selemani
From: White Shadows, Height © William Ukoh
From: Pony Congo © Vicente Paredes

Photographer Cristina De Middel was looking to challenge the common perspective of Africa’s identity when she was selected as the curator for the sixth Lagos Photo Festival, which kicked off in Nigeria last month.

In the past year the news media has been saturated with images of disease, death and destruction coming from the continent. For De Middel these types of stories felt limited—they simply weren’t telling enough about what Africa is and what she believes it could become.

“I tried to avoid the classical photojournalistic approach—they focus on the dramas and the misery of the continent,” De Middel told American Photo. “I really wanted to focus on what can be changed now to make a better future. To do that with photography you need to be a bit more inventive, play with fiction and staging.”

De Middel is no stranger to surreal storytelling and as she curated for Africa’s largest photo festival she turned to more conceptual photographers to illustrate larger truths about the Africa.

“To describe a place, especially Africa, you need to go beyond that photojournalistic approach,” she says. “For me it is exhausted. It is always saying the same thing and not giving any extra information.”

The projects on view at the sixth Lagos Photo Festival explore issues of African identity and body image, the destruction of stereotypes and surrealist takes on the continent’s various environmental crises.

Émilie Régnie’s “Passport” is the expression of an “unrealistic desire to imagine a West Africa who shares the same passport.” The series imagines what Africa may look like if the continent could separate itself from the stereotypes imposed by former colonial powers. Joana Choumali examines the ever-changing and often contradictory standards of beauty in modern Africa. While Fabrice Monteiro creates larger-than-life characters out of garbage to raise awareness regarding some of Senegal’s most polluted locations.

“I think it helps people approach the problem from a different angle,” Di Middel says, using Monteiro’s work as an example. “It’s not minimizing the caliber of the issue. It just approaches it without showing what is immediately in front of your retina and brings an opinion to it.”

The Lagos Photo Festival continues through November 27.