When I met Daisuke Yokota for our interview in Tokyo's Shinjuku district, he said it was the earliest he'd been up in a while. It was already about 11:45 in the morning, and I wondered aloud whether he'd been working a late-night job. "Nope," he said. "Making work." Yokota has created a small image-making factory in his apartment, which he uses to create his haunting, distorted black-and-white images. Many Japanese photographers, led by Daido Moriyama, take black-and-white photographs with similarly strong, almost extreme contrast. At first glance, Yokota's photographs seem to fit neatly into this tradition. However, in talking with him, it’s clear that he hasn’t set out to copy this style because it looks cool. Instead, he’s been led there by electronic musicians like Aphex Twin, taking the musical ideas of echo, delay and reverb and applying them to photography. In practice, this means that to make the series "Back Yard" (featured in the gallery above), Yokota shot, developed, printed and re-photographed each image—not once, but about 10 times. That does seem like enough work to keep you up all through the night.