And for the first part of your question, I was already working on the streets as a documentary and street photographer with a rangefinder camera. I was practicing on this approach for a long while, but I learned doing this in a context, building a framework for myself, not just wandering around the streets as a street photographer, but thinking in the borderline of an idea, choosing my subjects, my topics like a documentary photographer, but behaving like a street photographer. I also came closer to opposing ideas, which I wouldn’t normally. I started understanding them somehow. After Gezi, after the coup attempt, everything suddenly changed in Turkey. The meanings behind these photographs, all these representations have been suddenly changed. They became huge. It’s out of control now.