How is your business split?
I shoot for Porsche of Germany and for several car magazines, including Automobile, Hot Rod, European Car, and AutoWeek. I'm used to flipping between a lot of different things, and my work load always changes. It's about one-third editorial, one-third fine art, and one-third commercial. I've learned that I need to diversify, especially in today's market—I need to be able to shoot beauty shots of cars along with action on a track and portraits of the people involved. I think the reason I get hired for any type of work is because of my fine art and the composition of the photos.