What now: We used the favorite fix of The Fix -- cropping. This way, we could both move in closer to the fisherman and put him and the boat in the lower left quadrant for a more dramatic off-center placement (Rule of Thirds and all that). We also pulled up the contrast somewhat in Adobe Photoshop CS3, which added more snap to the color. But our work here wasn't done. With the tighter crop and the increase in contrast, we could now see distinct, grainy noise in the sky. So we reduced the noise, using the plug-in Nik Dfine 2.0, as well, to smooth out the sky tones.