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  • How To: Use Backlighting for More Dramatic Still Lifes

    Bring out those translucent hues the natural way, with light.

    Last time around, we showed how backlighting can define the shape of a portrait subject —or any opaque object—by etching a bright white highlight, called a rimlight, around its outer edges. But it has other uses, too, as Christoph Seiler, 37, a research scientist from Philadelphia, discovered when he tried it out with translucent subjects.

  • My Project: Out of Space

    Hunter Freeman employees one costume for an 'out of this world' photo series.

    Ever wonder what astronauts do in their free time? Commercial photographer Hunter Freeman does. “You have these incredible people, with a really great but tough job,” he says. “When they’re not working, what are they doing?” That curiosity developed into a photographic interest seven years ago, when he had an assignment from Microsoft to photograph someone in an astronaut outfit. “We’d rented this expensive suit, shipped up from Los Angeles,” he recalls. When the assignment was over he still had two days left to return the suit, so he decided to make the most of it.

  • How To: Use Perspective to Make Something Small Look Huge

    With a little help from a fisheye lens.

    You Don’t have to be a surfer to appreciate the mythos of breaking waves. And the bigger the wave, the more awestruck we are. But leave it to a surfer and photographer to capture the ocean’s power in the everyday rhythm of breakers along the California coast. Chris Burkard, a 24-year-old pro from Pismo Beach, CA, visualizes catching waves just right—and because of his background, his body senses where the camera needs to be.