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  • From Shutter Press to Finished Image: Raïssa Venables

    Three top professionals share their best tips and tricks for retouching
    • By Debbie Grossman on April 11, 2012

    In Her series “All That Glitters,” Raïssa Venables takes what she calls “excessively opulent” spaces and uses a combination of photographic technique and imaging software to make them even more so. The rooms become surreal versions of themselves­—the real thing taken to an extreme.

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  • From Shutter Press to Finished Image: Romain Laurent

    Three top professionals share their best tips and tricks for retouching
    • By Debbie Grossman on April 11, 2012

    One morning, Romain Laurent woke up with vertigo. Instead of calling the doctor, he thought, Hey, this is fun! And in that moment the idea for his “Tilt” series came to him. He saw the image in his mind’s eye almost exactly as it appears in his actual photographs.

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  • Fix It Fast: "Uncropping" an Image

    Sometimes more is actually more
    • By Debbie Grossman And Dan Richards on February 13, 2012

    To get rid of distracting leaves and stems in her floral photo, Sherry Christensen of Irma, Alberta, Canada, used the time-honored method of cropping them out. While a wise decision, we think this leaves too little “headroom” around the blossom.Working with her uncropped version, we removed unwanted detail in Adobe Photoshop CS5 using Content Aware Fill instead.

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  • Tips From a Pro: Infrared Photography

    Professional photographer Arthur Drooker shares the tips and tenchniques he employed in his newest book, 'Lost Worlds: Ruins in the Americas'
    • By Interview by Dan Richards on January 18, 2012

    Ancient ruins take on a ghostly, otherworldly look in the photographs of Arthur Drooker, who used infrared capture for the images in his just-published book, Lost Worlds: Ruins of the Americas. Here's what he has to say about his technique and travels:How did you take up photographing ruins?

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