Photographer Thomas Chadwick breaks down how he made a night scene look like a music video
The main problem with lighting a large area at night? Often, it’s getting your lights close enough so their output can reach your subjects with adequate power. For Thomas Chadwick, a pro who specializes in portraits, sports, and stop-action photography, the answer was simple: He placed his main light source (a backlight) right in the middle of his set, where it could be seen in almost every shot he took—except the final version, shown here.