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  • My Project: Edible Complex

    An underground gourmand photographs his adventures in dining.

    Ulterior Epicure, a 28-year-old globe-trotting photographer and food connoisseur, never expected his photoblog of dining adventures (ulteriorepicure.wordpress.com) to gain such fame. "I was in a restaurant in Shanghai recently," he says, "and the chef came out to ask, 'Are you Ulterior Epicure?' People must be on the lookout for a slender young guy with a Nikon."

  • Photography Innovators of 2006

    Our first annual roundup of the innovators who are changing the art and business of photography.

    In photography today, changes come at a blinding speed, and often from the most unexpected of places. Who could predict that a Pulitzer Prize-winning photojournalist for the Dallas Morning News would help revolutionize the newspaper business through the use of digital video camcorders? Who would guess that Magnum Photos, whose approach to the future was at once both chaotic and sclerotic, would emerge as a hot brand after partnering with an online magazine? How did a Mexican-born marine biologist turned photographer organize what promises to become a powerful visual force in conservation?

  • Images of the Year 2006: Student Work

    Andrea Huber, a photography and graphic design student at Cal State Fullerton, is the student work winner.

    Andrea Huber
    Laguna Niguel, California
    www.andreahuberphotography.com
    Andrea Huber's abstract self-portraits prove that big ideas sometimes spring from tiny packages. Huber took her series, titled The Intricacies, with the seven-megapixel Canon PowerShot SD550, a digital compact. But she used that small camera to illustrate one of the world's great mysteries -- the female psyche. Huber's images are obscure and hard to understand, she explains, much like the infrastructure of women's thoughts.

  • Images of the Year 2006: Wedding/Portrait

    Ted Sabarese from New York City is the wedding/portrait winner.

    Ted Sabarese
    New York City
    After seeing this series of portraits by New York-based photographer Ted Sabarese, our judges asked the most obvious question: "I wonder what his nose looks like?" Upon telling Sabarese that he'd won our wedding/portrait category, we put the question to him.
    "Oh, I've got a big Italian schnoz," he replied. "I guess you could tell that was my inspiration."

  • Images of the Year 2006: Personal Work

    Aaron Hawks takes top honors in the personal work category.

    Aaron Hawks
    Berkeley, California

  • Images of the Year 2006: Advertising

    Vincent Dixon takes the top prize for his Wonderbra campaign for Publicis.

    Vincent Dixon
    New York City
    Not many ad campaigns turn the viewer into a character, as this one does. Who could you be, to garner so much attention simply by walking into a hip restaurant? The meaning of the scene becomes clear when you learn who the client is: Wonderbra.

  • Images of the Year 2006: Editorial

    London-based Julia Fullerton-Batten is the winner in the editorial category.

    Julia Fullerton-Batten
    London, England
    As an assignment for the men's lifestyle magazine Best Life, Julia Fullerton-Batten was given the phrase "I hate daddy" and asked to come up with a striking image. What you see here is the result.

  • Images of the Year 2006: Photojournalism/Documentary

    Ghada Khunji, a native of Bahrain now based in Brooklyn, is the grand prize winner in American Photo's Images of the Year competition.

    Ghada Khunji
    Brooklyn, New York
    Photographer Ghada Khunji shot these scenes of an evangelical church in Virginia as part of a large project to document out-of-the-ordinary places and people across the United States. "My inspiration is Diane Arbus," says Khunji, who studied photography at Parsons School of Design and the International Center of Photography. "I like to shoot things that are a little bit different."

  • DSLR Basic Training

    Five simple drills to move you up the ranks from recruit and put you in control of your camera.

    So you finally put away your point-and-shoot and got yourself a gen-u-ine DSLR. Good for you! But, Buck Private, if you've still got it set on the "green zone" -- the fully automatic mode -- you're shootin' like a civilian. Sure, the pictures you take with your new camera are better than any you've gotten before, but it's time to take charge and learn what great photos you can get when you're the one in control. Do these five drills to get started, and don't worry, we'll go easy on ya.
    Get with the program

  • Digital Toolbox: RAW Recipes

    An easy step-by-step recipe to get you cookin' with RAW.

    You hear it all the time: For better images and more control, shoot RAW. Why? Because when you shoot JPEGs, all your decisions about brightness, contrast, white balance, and more are written into the file forever.
    But with RAW you can adjust those things later with conversion software. If you have Photoshop CS or later, try Adobe's Camera RAW to do the processing. To get into the program, double-click a RAW image in Adobe Bridge, or, from Photoshop, go to File > Open, and choose a RAW file.