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  • I, Photographer: Tattoo Shooter Brian Cummings

    Shooting artwork on a living canvas is tough work

    How did you start photographing tattoos? One of my hair and makeup stylists has amazing tattoo artwork all over her body—including her grandparents’ portraits—and she asked me to photograph it. I agreed, but didn’t know how to start. I was visiting the Chicago Art Institute when it hit me: I’ll treat it like the Baroque masters. So I shot her in the Rembrandt style, trying to mimic that lighting. I really liked it and decided to do a series, photographing about a dozen people over six months.How did your style evolve?

  • Video: Michael Massaia's Large Format Black and White Photography

    A New Jersey photographer's unique method of making pictures

    In the eyes of some, film photography is all but dead. But for others, it's the purest form of photography. New Jersey's Michael Massaia is a true believer.

  • You Can Do It: Glare-Free Glass Photography Using Backlighting

    Banish glare with backlighting

    How did photographer John Kuczala render this lab glassware with such crystalline clarity? The trick, says the New York City-based tabletop specialist, is avoiding frontlight. Backlighting against white or sidelighting against black does the job. Direct frontlight, regardless of the background, ruins your shots.

  • Low-Light Photography: An Introduction

    We talk to four pros who thrive in the shadows, creating blazingly brilliant images

    Maybe it’s human nature, but photographers often fear darkness. For many of us, it’s associated with photographic failure: obscured subjects, blur from movement and inaccurate focus, and the inability to see while shooting. Overcoming that fear and conquering darkness has helped the four photographers featured here to create dark images that are boldly streaked with brilliance. Here are their secrets.