After six years struggling to photograph life on the Pine Ridge reservation, Aaron Huey now hopes he can help change it for the better.
In April 2005, Aaron Huey drove into Manderson, South Dakota, the roughest town on the Pine Ridge Indian Reservation, and started knocking on doors. "Hey wasichu (white boy), what are you doing with that camera?" yelled a young Lakota man covered in tattoos.
"Just looking for stories," Huey answered. "You got any to tell?" Huey, then 29, was a determined if somewhat green photojournalist, riding a wave of positive attention from his recent photo project on a solo walk across America. Pine Ridge was the first stop on a self-assigned survey of poverty in America. The survey stopped there, but a new story had just begun.
Pine Ridge, the site of the 1890 Wounded Knee Massacre, has been the poorest place in America for nearly 40 years, with 97 percent of its population living below the national poverty line in 2006. The infant mortality rate on the reservation is three times higher than the national average, the highest on the continent; life expectancy for men is 48 years old, roughly the same as in Afghanistan and Somalia.
The poverty and problems of Pine Ridge have been widely documented, yet Huey, who collaborates with publications including The National Geographic magazines, The New Yorker, and Harper's, is one of the few journalists who has returned to "The Rez" again and again.
"For the first years I didn't really know why I was returning," Huey recalls. "I just knew that I couldn‚t turn away, that people were giving me something that I had a responsibility to share."
After being welcomed so openly into the Pine Ridge community, Huey found he could no longer play the detached journalist. In March he launched a campaign on Emphas.is, an online fundraising platform for photojournalists, using posters by Shepard Fairey (of the Obama "Hope" poster fame) to bring awareness and aid the people of Pine Ridge. Although he has raised the $15,000 he originally asked for the project, he needs to raise at least $5,000 more by May 5 to create the billboards he feels will have the greatest impact..
The One Who Returns
His first trip to Pine Ridge, Huey mostly photographed the younger members of the tribe, many of whom are involved with gang violence and drugs. Young men like Travis Lone Hill, the tattooed teen who called him "wasichu," immediately took him in and opened up in a way he'd never experienced before. The tribe's elders, however, initially gave Huey the brush-off. They saw him as just another journalist preying on their misfortunes.
"I went in asking stupid questions about poverty and violence, I didn't have enough background," Huey remembers. "Like most journalists do when we go into a place for only a couple of days, we don't really have the knowledge base to treat it right."
His images ran with a story in Details magazine that, like many hastily reported stories, oversimplified the Pine Ridge situation and left a sour taste in his mouth. "Stories that skim the surface of statistics, only talking about gangs, poverty, and violence, don't ever get around to the root causes," Huey says. "That's a common problem on short assignments, especially when you are trying to deal with centuries of painful history in just a few pages."
Unlike most journalists who pass through Pine Ridge for a couple of days and never come back to hear how their work was received, Huey still gets complaints from friends there about that first story. "I'm also held responsible for what any writer writes," he explains. "I'm the only one who returns."
He's worked to remedy the grievances. Over the years, Huey's images have helped tell the story of the Pine Ridge Lakotas in The Fader, Harper's, and the New York Times‚ "Lens Blog". Each piece digs a little deeper, helping a non-Native American audience understand the vast web of broken treaties and inhumane treatment that hobbles America's indigenous people. But even when the stories are balanced and the photos are honest, people on "The Rez" accuse him of picking at their scabs. "Who gives you the right to tell our story?" they want to know.
Photo: Aaron Huey