The X Factor: Digital Rangefinders are Here to Stay

The X Factor

We call them the X-cameras, not just for the crossed letters of their model names but because they have the sort of mystique that turns heads. The Fujifilm FinePix X100 and the Leica X1 unabashedly emulate the look and feel, not to mention the upscale hauteur, of rangefinder-type cameras from days gone by. Will this new generation of modern classics spark a retro riot?

Bet You NeVer thought we'd do a shootout between a Leica A and a Leica M3, huh? Given a passing glance at the Fujifilm FinePix X100 and the Leica X1, you might leap to that conclusion. To complete their film-camera look, the 12-megapixel APS-C-sensor compacts, clad in brushed metal and faux leather, sport gnurly analog control dials and rings.

Readers of a certain vintage by now are chuckling: This is nothing new. When film was king, such modern classics as the Contax T2, Konica Hexar, and Nikon 35Ti captured the hearts (and wallets) of photographers with their handsome metal bodies and clearcut knob-and-dial controls. And like the new X-cameras, those erstwhile film compacts had noninterchangeable, fast optics, usually of 35mm focal length or close to it. Just as the rationale for their purchase was to get SLR-quality images from a stylish compact, the new competitors promise DSLR-grade imaging in small, elegant packages. (Do they make the grade? See our complete lab tests to find out: Lecia X1, Fujifilm X100).

Another parallel between the X-cams and their spiritual forebears: They are bundles of quirks, some lovable, some not. Suffice it to say these are not cameras for those people who dislike eccentricity.

First off, let’s clear up what a rangefinder is. True rangefinder cameras (such as the current Leica film M7 and digital M9) have optical viewfinders for composing pictures. Within the viewfinder frame, you’ll see a focusing aid called a coincidence-type rangefinder; to focus, you turn the focusing ring on the lens until two superimposed images in the finder are aligned.

The M-Leicas also have bright frames showing the field of different focal-length lenses, and the frames adjust their positions to compensate for parallax as you focus.

Now that that’s out of the way, we have to inform you that neither the Fujifilm FinePix X100 nor the Leica X1 is a rangefinder. The Fujifilm comes closer, having an optical viewfinder with a superimposed LCD bright frame that adjusts for parallax, besides an aperture ring and a focusing ring (albeit an electronic, not mechanical, linkage). The Leica X1 is more rudimentary; if you want an optical viewfinder, you have to add a shoe-mount accessory bright-frame finder, which we find a winsomely retro touch. The nicely knurled ring around the lens operates nothing—it unscrews to allow accessories.

But there’s more to the rangefinder experience than an actual coupled rangefinder. Many are the street shooters who don’t bother to focus at all; they simply set the lens to a medium-close distance and dial in an f-stop that will keep subjects in within the depth of field.

The new Fujifilm and Leica are particularly well suited for this, as they both have depth-of-field scales. Moreover, their APS-C sensors provide more depth of field at any given f-stop than a full-frame digital or 35mm camera. With the lens manually set to 6 feet, for example, and an aperture of f/11, the depth of field will cover about 3.5 to 20 feet.

Preset the camera to evaluative metering, a high enough ISO to guarantee fast shutter speeds, disable any audio alerts, and you’re ready to shoot from the hip, perhaps even literally. “When shooting on the street, I often hold the camera at my hip and shoot behind me, even though I can’t see what’s back there,” says Senior Editor Peter Kolonia, an inveterate street shooter. “It’s always a pleasant surprise when I get something, and is actually a good technique for getting eye level with children and dogs, who have no idea that the camera a foot from their heads is taking a picture. Ground-level street shooting is fun, so I sometimes shoot with the self-timer while kneeling to ‘tie my shoes.’”