The long-awaited FinePix X100 is a true street machine
With the looks, but not the innards, of a classic rangefinder, Fujifilm’s FinePix X100 is sure to turn the head of any photo enthusiast. Once a camera lover finds out that this compact has an APS-C- sized 12.3MP CMOS sensor and a fast 35mm-equivalent f/2 Fujinon lens, curiosity will turn to expectations of topnotch image quality.
We know, because that’s exactly what happened to us. With the $1,200 (street) camera already heavily backordered at the time of introduction, we were quite eager to find out if this upscale compact lived up to its looks and specs. We came away impressed. The X100’s image quality, thanks in no small part to its large image sensor, is on a par with mid-level DSLRs. Plus, the shooting experience will please many of those who prefer traditional controls. Rangefinder purists, though, may find fault—the X100 isn’t, after all, a true rangefinder—and it has some quirks common to compact cameras that may leave advanced shooters reaching back in their bags for their high-end DSLRs.
In the Lab
With impressive resolving power for a 12.3MP sensor, some of the most accurate color reproduction we’ve seen, and commendable noise control, the X100 earned an Extremely High rating for overall image quality in the Popular Photography Test Lab.
Its Fujinon lens, with its aspheric element and high-refractive-index glass, no doubt contributed to the camera’s Extremely High rating in our resolution test. At 2260 lines per image height, it matched the result we saw from the Olympus Pen E-PL2, and was a smidgen shy of the Panasonic Lumix DMC-GF2’s 2300 lines in the same test. Plus, the FinePix held onto that resolution as ISO increased. At ISO 6400, the X100 showed 2125 lines, while the GF2 fell to 2060 and the PL2 to 2010 at that high sensitivity.
The X100 also performed very well in our noise test, keeping it to acceptable levels all the way up to ISO 3200. Neither the Panasonic nor Olympus Micro Four Thirds cameras can match that. For that matter, the Fujifilm’s overall image quality tops that of the Sony Alpha NEX-5 and Samsung NX10, ILCs with APS-C-size sensors.
Now we need to point out one of the X100’s quirks. We always perform our lab tests on RAW images converted to TIFFs, using the manufacturer’s provided software, whenever possible. But at ISO 100 and ISO 12,800, the X100 captures JPEGs only—RAW is restricted to ISO 200–6400. Also, the software that came with the X100 didn’t include a RAW converter for Mac, though we were able to download a modified version of SilkyPix called RAW File Converter EX from the Fujfilm site—Apple users, take note.
Even before generating our test results for the X100, we were impressed by its color reproduction. Our lab tests proved its amazingly accurate colors, earning it an Excellent rating.
Since the X100’s lens is fixed, we also tested it for distortion and light falloff using DxO Analyzer 4.0. Even at its maximum aperture of f/2, it produced no vignetting. Distortion, though, was a mixed bag. Overall, it rated only Slight at 0.15%, but it showed complex distortion of the specific variety called moustache distortion—barrel in some areas and pincushion in others. At its worst, pincushion distortion reached Visible, 0.31%, mostly around the bottom edges of the frame, where it shouldn’t pose much of a problem for most shooting.
In the Field
There’s no denying that the FinePix X100 is one good-looking camera. More practically, though, its metal chassis and magnesium-alloy top and bottom plates lend a rugged heft, while the synthetic leather provides a nicely textured grip.
Meant to mimic a film camera, the X100’s controls are delightfully old-school, too. You set aperture by turning a ring to the rear of the lens barrel, and control shutter speed by using a dial atop the camera. In a nice touch, exposure compensation gets its own small dial too.
The benefit of this system is that you can set exposure manually while the camera is switched off and can always see the current state of the exposure settings easily.
The only missing part is ISO, which has neither a dial nor a dedicated button. But the tiny assignable function button next to the shutter release can be set to control ISO, which we did for nearly our entire field test.
As nostalgic as it is, the X100’s control system also has some downsides. Although changing apertures is easily accomplished with your left hand, it’s a bit of a stretch for the right. Also, while the aperture can be set in 1/3–stop increments, shutter speeds only click in whole steps. In aperture-priority mode, however, the camera can select intermediate speeds as needed.