In an empty room, Kelli made good use of the white window curtains. This room was so narrow that lighting my subject with strobes was out of the question, so I resorted to exclusively using speedlights. I used one speedlight as my key, and a silver reflector as my fill. The second speedlight was behind my model, illuminating the wall. Fortunately, I had just enough space to shoot at 65mm; allowing for minimal distortion and enough compression.