Taken in the Christopher Street PATH station as a west-bound train arrives. Tech Specs: Nikon D3S, 1/25 sec at f/5.6, ISO 1000. Click here for the Full-Res image.
Taken in the Christopher Street PATH station as a west-bound train arrives. Tech Specs: Nikon D3S, 1/25 sec at f/5.6, ISO 1000. Click here for the Full-Res image. Dan Bracaglia
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My roommate is going to hate me for posting this one. Tech Specs: Nikon D3S, 1/640sec at f/1.4, ISO 800. Click here for the Full-Res image. Dan Bracaglia
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One of the two judges for the first annual Cranford Pumpkin Carving inspects the entries. Tech Specs: Nikon D3S, 1/2000 sec at f/1.4, ISO 200. Click here for the Full-Res image. Dan Bracaglia
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One of the judges for the first annual Cranford Pumpkin Carving takes a moment to pick his favorite. Tech Specs: Nikon D3S, 1/200 sec at f/1.4, IS0 200. Click here for the Full-Res image. Dan Bracaglia
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Hands down some of our favorite images taken using this lens were long exposures of rooftop gardens in New York. Tech Specs: Nikon D3S, 3 seconds at f/8, ISO 400. Click here for the Full-Res image. Dan Bracaglia
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This was shot hand-held at night looking into another building. Tech Specs: Nikon D3S, 1/60 sec at f/2, ISO 4000. Click here for the Full-Res image. Dan Bracaglia
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This image and the one that follows are meant to show examples of the bokeh of this lens at wide and moderately-wide apertures. The camera was tripod mounted for both of these images. Tech Specs: Nikon D3S, 1/2 sec at f/1.4, ISO 200. Click here for the Full-Res image. Dan Bracaglia
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Tech Specs: NIKON D3S, 6 seconds at f/5.6, ISO 200. Click here for the Full-res image. Dan Bracaglia
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The band Motion City Soundtrack, shot in a dark venue with extremely bright lights. We were blown away by the quality of this lens in such situations. Tech Specs: Nikon D3S, 1/640 sec at f/2, ISO 1000. Click here for the Full-Res image. Dan Bracaglia
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This was taken looking into a dimly lit parking garage in the evening. Tech Specs: Nikon D3S, 1/400 sec at f/4, ISO 1000. Click here for the Full-Res image. Dan Bracaglia