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Joe McNally reflects on the changes in his 20-years of shooting for National Geographic magazine with a video of how the magazine used to put a story together
If you think your eyeballs are on fire after a marathon session editing in Photoshop, consider sorting through 1,200 rolls of film with slides, a loop, and a light box.
We talked to the iconic photographer about the debut of his new exhibit at the Time Warner Center in NYC
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