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All four also let you take macro photos (one as close as 0.4-inches) without an adapter. (Try that with a 35mm camera!) Of course, a common problem with shooting macro images with a built-in flash is the tendency to burn out (overexpose) the subject. But the Canon G5 has a built-in optical neutral-density filter that reduces overexposed flash shots and lets you use wider apertures at flash-sync speeds in bright outdoor lighting.
Want to capture fast-moving action? With these four cameras, maximum shutter speeds range from 1/1000 to 1/8000 sec, and burst modes range from 2 to 4 fps. In addition, advanced image-processing hardware reduces storage time for each image. At the opposite end, metered shutter speeds extend up to 30 seconds on the Nikon 5400, and all give you noise-reduction technology to cut noise during long exposures or at high ISO settings. Once again, the Sony V-1 goes further in low light. With the infrared AF-assist lamp acting like a mini spotlight, the Sony’s “nightshot” feature lets you take monochrome photos in complete darkness.
3. Precise controls
Spend more, control more. Most $700-plus cameras offer nearly as many exposure and metering controls as digital SLRs. These include programmed, aperture and shutter priority, manual-exposure modes, spot- and multi-segment metering, auto and manual white balance settings, exposure bracketing, and adjustable image-quality parameters (sharpness, contrast, and color saturation). Talk about control, the Sony has a live histogram—a useful exposure tool that’s still missing on digital SLRs.
In this class, quick-access buttons and toggle switches let you adjust the controls quickly, and with all but the Sony, you can store your settings as custom shooting modes.
Image-playback options are extensive, with zoom, image rotation, cropping and resizing, slide show, and print ordering on the menu. With the Canon, you can shoot an image in JPEG mode, but also save it in RAW format before you take the next shot. Later, adjust the RAW image for white balance, exposure, and sharpness, using software that comes with the camera.
Want to control the camera remotely by computer through a USB connection (handy for studio and catalog work)? You can with some of the digitals in this class, though we’re still waiting for a compact with FireWire or Hi-Speed USB 2.0 connectivity.
4. Convenience and expandability
As a rule, compacts are lighter and easier to carry than SLRs. But trimming down doesn’t mean losing out. All four cameras have a dedicated hot-shoe that lets you add a more powerful flash to cut redeye and extend the camera’s battery life. But here, battery life isn’t the concern it is with lower-priced digitals, since most high-end models come with proprietary lithium ion rechargeables that deliver hundreds of shots between charges. (Four rechargeable NiMH AA batteries are optional on the C-5050, boosting it well over $700.)
The Canon, Nikon, and Olympus compacts also have swiveling LCD monitors so you can compose and shoot while holding the camera overhead or at waist level. Turn the LCD forward, and the image flips, so subjects can see themselves as if looking into a mirror.
Wide-angle and tele adapters are available for the Olympus, Nikon, and Canon; and Nikon even sells a slide-copy adapter.
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