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| Click photo for more images of the Fujifilm FinePix S5 Pro. |
The moment of truth has come for the Fujifilm FinePix S5 Pro ($1,900 street, body only). We've completed full lab tests on a production model, and with Excellent marks across the board in resolution (average 1970 lines), color accuracy (a stellar Delta E of 6.61), and noise ratings of Extremely Low through Low at ISOs 100-1600, the S5 gains an overall Image Quality rating of Excellent by a comfortable margin.
While these scores put it no higher than the ranks of current 10MP DSLRs, there is more to the imaging quality of this camera than the numbers suggest. The S5 uses a combination of 6.17 million small pixels and 6.17 million large pixels to record a wider-than-normal dynamic range between highlight and shadow, with a choice of six ranges from 100% (narrow) to 400% (very wide). The camera produces both sharp and smooth rendering of detail, with little if any jagged edges at the limits of resolution, resulting in what are best described as creamy images. It also offers an extensive array of imaging controls, including film-emulation modes, any of which can be captured with a simultaneous RAW file.
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During field testing, we shot highest-quality JPEGs with 400% dynamic range, operating on the principle that it's easier to increase contrast later, rather than reduce it. This produced low-contrast images, even in fairly harsh daylight. When we wanted more snap in the shots, it was simple to boost contrast in image-editing software. Doing this is a bit like making a straight print of a soft, full-range negative on No. 3 or 4 paper (if you remember things like that). See the image gallery for examples.
We also became fond of filmemulation mode F2, the "Fujichrome" look. This produces highly saturated images, with more contrast and sharpness than you'd get at standard settings. And we shot simultaneous RAW capture to maintain a full-range "color negative." The S5, in short, comes close to that long-standing ideal of a camera that could shoot two (or more) types of film simultaneously.
In use, the S5 is both serious business and a ton of fun. The camera body is the tank-tough Nikon D200, with all its metering, exposure, focusing, and flash options, and straightforward control sequences. One disappointment with the S5 is the burst rate. It could meet its rated speeds -- 3 frames per second at 100% dynamic range, 1.6 fps at wider ranges -- but captured fewer than the claimed maximum per burst. We got no more than 16 combined RAW + highest-quality JPEGs at 100% D-range, not the claimed 20; and 20 JPEGs, not 29. (With the LCD monitor off, we got 20 RAW + JPEGs and 25 JPEGs, but this is not how we usually test burst rate.)
At higher D-ranges, it combined just seven JPEG + RAW in one burst. In the field, this can translate to sluggish RAW + JPEG shooting; after seven quick shots, you'll need to count as many as five Mississippis before firing another frame. (Not surprising, given Fuji's unusually large files -- a massive 24.5MB in RAW.)
But this is not really a sports shooter's camera. The S5 will no doubt please its intended audience -- wedding and portrait shooters. The bigger question is whether it will appeal to the broader market of serious amateur photographers. Actually, we think it will. A lot.
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