With close-focusing to 7.25 inches and magnification at 1:2.6, it’s perfect for tabletop shooters. Our tests found it optically superior to some pricier glass.
Tamron’s first digital-only superzoom, in our tests this 28–310mm equivalent was relatively sharp but had weak distortion control (especially at 18mm) and, at 200mm, a fairly dim maximum aperture.
One of Sigma’s top-tier EX-series pro lenses, this fast, solid-feeling zoom offers rapid, near-silent AF, excellent sharpness and contrast, and superior distortion control.
A 28–388mm equivalent, this lens is compact and light, expecially considering that it has such a long reach. The 14X zoom range is among the industry’s biggest.
Distortion control, edge falloff, and close-up performance were first class, as were cosmetics with matte-black finish and gold accents. Stabilization, more like third class.
Despite its plastic barrel and lensmount, given its price, the lens remains attractive. Also nice? Excellent SQF numbers at most apertures and focal lengths. A cheap-skate’s dream come true.
This oldie but goodie is very sharp, although tested distortion control is relatively weak by today’s standards. Close-up performance (1:3.7) and vignetting (falloff gone by f/4) are undeniable perks.
In our tests, close focusing averaged around 12 inches, and magnification 1:3.1. Quiet in operation, and sharpness was above average on our optical bench.
Our 2009 Camera of the Year, it’s the image-quality champ of current DSLRs—and should be for a while. Built like a tank, heavy and expensive, but those who love it don’t care. Has the fastest AF in low light.
