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By American Photo Staff and Contributors
June 2008
American Photo takes its ninth annual look at photography's cutting-edge tools and technology, from D-SLRs to digital printers. You'll wonder what happened to film.
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By American Photo Staff
July 2008
An exclusive American Photo survey of the Best Photography Workshops.
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By American Photo Staff
April 2008
This year's top wedding photographers, plus advice from a master, boosting your search status, and how to find the perfect wedding photographer.
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By Miki Johnson
April 2008
Tips from a professional planner for finding your perfect wedding photographer.
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Click to compare prices on photo equipment: |
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| Fleetwood's impressionistic, large-scale prints have generated interest in the art world and among collectors. | | | 
| As bassist for Hole and Smashing Pumpkins, Melissa Auf der Maur has often set up cameras with shutter and timer releases on the stage floor. | | | 
| Reed talks about his passion for both music and photography, which he calls "part of the same thing: rhythm, light, air, movement, focus -- and more focus." | | | 
| Graham Nash the rocker is also an accomplished photographer and the first person to actually use an Iris printer to create fine-art photographs. | | | 
| Adams' portrait subjects have ranged from Linda Evangelista to former Prime Minister Tony Blair to Queen Elizabeth II. | | | 
| A new documentary film sets the record straight about the innovative photo collector. | |
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More Podcasts |
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| Zach Honig presents a photographer's guide to the 2008 Beijing Olympics, including everything you need to know to cover the games or watch from home. | | | 
| A crusading photographer takes on the dirtiest subject of his career: oil. | | | 
| The sensor for medium-format backs uses Kodak's new Truesense 6.0 Micron Full Frame CCD Technology Platform. | | | 
| Pattie Boyd talks about her life as a 1960s icon, her fabled rock-and-roll marriages, and her view from both sides of the camera. |
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More Newswire |
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| An exclusive American Photo survey of the Best Photography Workshops. | | | 
| American Photo takes its ninth annual look at photography's cutting-edge tools and technology, from D-SLRs to digital printers. You'll wonder what happened to film. | | | 
| If you didn't find what you were looking for elsewhere in Editor's Coice 2008, we've probably covered it here -- from more top DSLRs to green gear. | | | 
| The convertible Kata DPS 3N1 and fashion-forward jill-e designs Medium Leather Camera Bag show there's still room for innovation in camera bags. | | | 
| From ExpoImaging's Ray Flash to the California Sunbounce, many of this year's lighting tools take advantage of the easy dedication of on-camera flash units. | | | 
| With magnification up to 20X, these cameras can make tiny, far-off subjects fill the frame -- but as Casio's Exilim EX-F1 shows, they have other special talents. | | | 
| This wide-ranging array of new hardware and software allows you to shoot, edit, and view (through media receivers like Apple TV) your own pro-quality video. | | | 
| Higher resolution demands more storage capacity, and makes it all the more important to back up your files with devices like the Data Robotics Drobo and Apple Time Capsule. | | | 
| This year's top computers offer super processing speed and huge hard drives, but some can even serve as your media center. | | | 
| The first digital SLR to combine full-frame capture with phenomenal speed, Nikon's D3 is also a low-light champ. |
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More Features |
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| How the photo industry is learning to love the moving image. | | | 
| In Hollywood, nobody photographs superheroes like Michael Muller does. An inside look at the secrets of his craft. | | | 
| Jim Richardson and J. Henry Fair show us their approach to landscape photography. |
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| More How-To |
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| Although the technology-showcase D300 costs 50% more than the EOS 40D, American Photo contributor Jonathan Barkey found them to be more evenly matched than he expected. | | | 
| These compact digital cameras squeeze focal lengths up to 270mm into pocket-size bodies. | | | 
| Here are 5 full-featured compact cameras we consider champs. | | | 
| With a high-end 12 megapixels and body to match, this advanced D-SLR brings Sony one step closer to its promised professional model. | | | 
| Our choice for pro camera of the year shows why megapixels have become a secondary issue for serious D-SLR photographers. | | | 
| Ruggedness is an advantage that sets professional SLRs above lesser models. The very affordable Pentax K10D erases that distinction, though. |
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