The New Portrait: A Study in Three Parts

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The New Portrait: A St...
The Portrait as Histor...

These ten contemporary photographers approach the subject of the human form in vastly different ways.

By David Schonauer Posted February 16, 2007

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© James Hill

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The Portrait as Historical Document
As a photojournalist, James Hill's credentials are as solid as they come. His coverage of the 2003 American invasion of Iraq helped the New York Times win a Pulitzer Prize, and he continues to roam the globe for both the newspaper and Time magazine. "I certainly don't consider myself a great portraitist," he says. "In fact, when I went into photojournalism, I really felt that I was turning away from portraiture, which was odd, because my photographic heroes were Irving Penn and August Sander."

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