The New Infrared Revolution

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The New Infrared Revol...
The New Infrared Revol...

Thanks to digital technology, photographing the invisible is easier and more spectacular than ever.

By Dan Richards Posted December 20, 2007

Technically, you don't need to convert a digital camera to shoot infrared -- some rays get through IR-blocking filters, so you need only mount an IR-passing filter and shoot. But you'll need to use very long exposures -- handholding is out.

If you really want to get into IR, an IR-ready (see "Out-of-the-Box Experiences" below) or converted camera is the way to go. When using a DSLR without live view (most of them), you'll need to focus and compose without the IR-passing filter covering the lens. This isn't an issue with compact and EVF cameras.

You can convert a DSLR for dedicated IR use and maintain clear viewing by replacing the camera's IR-cutoff with an IR-passing filter -- but it now can't be used for conventional photography.

Looking to turn your old digital camera into an IR shooter? Here are some outfits to check out.

• LifePixel: Possibly the biggest service for IR conversions, which run from $95 for a replacement filter for do-it-yourselfers to about $290 to $500 for most DSLRs.

• Khromagery: Australia-based, but does conversions for U.S. and Canadian customers. Specializes in Canon models. Conversions run $275 to $440 for advanced compacts and DSLRs.

• LDP Net: Makes or modifies wide range of still and video equipment. Most DSLR conversions run about $450.

Out-of-the-Box Experiences

• Fujifilm IS-1 ($800, street): A Fujifilm S9100 EVF factory-modified by the removal of IR- and ultraviolet-cutoff filters. Has 28-300mm equivalent f/2.8-4.9 zoom. In a forensic kit ($2,000), it comes with nine filters, including a 900 (18A) that passes both IR and UV for intriguing color effects. • Hot: Live view (EVF and LCD), manual and autofocus, long zoom range, can be used for conventional photography. • Not: Ridiculously restrictive end-user license agreement, 2-inch LCD, noise at higher ISOs.

• Fujifilm IS Pro ($2,600, street, body only): Fujifilm S5 Pro DSLR factory-modified by removing IR- and UV-cutoff filters. Has all S5 features, including Nikon mount. • Hot: Live view, huge number of lenses, shoots RAW. • Not: That ridiculously restrictive end-user license, 30-sec live view limit.

• Sigma SD14 ($1,140, street, body only): The IR-cutoff filter, mounted in front of the mirror box, is easy to pop in and out. (Wear lint-free cotton gloves!) • Hot: Easily converted back to normal shooting, many lenses available, shoots RAW. • Not: No live view, RAW works best with limited Sigma software.

• Sony Cyber-shot DSC-H9 ($388, street): NightShot mode uses an IR beam to shoot in the dark, but it's next to useless. Instead, use the H9 outdoors with an IR-passing filter (a Cokin P499 Universal Ring with Cokin P filters) and you can shoot in IR -- in monochrome at a high ISO. • Hot: Live view (EVF and big 3-inch LCD), huge zoom range. • Not: Clumsy filter mounting, noisy images, greenish monochrome, exposure limited to 1/30 sec wide open.

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